![]() The following sound clash dons offer personal insight to the making and meaning of some of the most potent dubs. “The significance of a dubplate is best judged by the impact it makes when played ‘by itself.’ These are the dubplates that can turn things around in a clash or annihilate a sound.” Today, the studio accommodates industry standard equipment for mastering and monitoring, innovative features in the disk cutting system, and well-trained ears. Bass Odyssey’s Yanique Walford, for instance, further distinguishes between dubs: “If you have to play a dubplate in a medley of dubplates to get a good crowd response, and there are such ones, then it’s an OK dubplate – a filler – with a likely very short lifespan,” she says. Centraldubs evolved from a raw dubplate suite into a sophisticated mastering studio with Adrian Adi Flück as main engineer, Rea Dubach and Sebastian Sebi Zwahlen as associate engineers. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators. Our 4 streams each have a distinct sound and energy providing the listener with an array of electronic dance music, deep bass and chill-out beats to enjoy. As with all kinds of audio technologies, it is not that the CD cannot possibly sound good. Dubplate.fm - Dub & Bass Radio - Dubplate.fm is a community based radio station with a focus on live streaming. 1, I almost couldn’t believe that the source was only a CD-quality recording, being so used to hearing substandard CDs and CD-quality recordings over many decades now. In the clash, there are essentially two kinds of dubs: fillers, and those that take you into a whole new place. In listening to the direct-metal-mastered Stockfisch Records DMM Dubplate, Vol. And to have dubs like that one – dubs that took people into a whole new place and attachment to the sound they are listening to.” MID/LATE JAN 2022 FAQ & Detailed Info What is a Lathe Cut dubplate record Whats included Running Times Audio Delivery & Mastering Do you offer digital. “It was a serious song about a sound being unstoppable and I wanted to be that after I heard it! I wanted to build a sound to be unstoppable. The audio can be cut from any source format: digital files (wav, aiff, mp3, flac), Vinyl, 1/4 Tape, Cassette, CD, or DAT, with incredible sound quality and. “This was the first time a dub drew energy out of me that wasn’t hype,” he says. Walshy Fire, former host of the televised Guinness Sounds of Greatness sound clash (also of Black Chiney sound system as well as Major Lazer), certainly has his favorite: Garnett Silk’s “Hard Nut to Crack.” Every clash fan has a favorite dub, and every sound has dubs they know will surely receive big forwards. ![]() Dubs are the ammunition used to fight for domination in the clash.
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